taxonID	type	format	identifier	references	title	description	created	creator	contributor	publisher	audience	source	license	rightsHolder	datasetID
03A88788F262E355FF5D33A7FE84D329.taxon	http://purl.org/dc/dcmitype/StillImage	image/png	https://zenodo.org/record/193544/files/figure.png	https://doi.org/10.5281/zenodo.193544	FIGURE 3. Calls of (A – B) Scytalopus canus canus from Frontino, Antioquia, Colombia, (C – D) northern S. c. opacus from Tungurahua and Carchi, Ecuador, and southern S. c. opacus from (E) Piura, Peru and (F – G) Zamora-Chinchipe, Ecuador.	FIGURE 3. Calls of (A – B) Scytalopus canus canus from Frontino, Antioquia, Colombia, (C – D) northern S. c. opacus from Tungurahua and Carchi, Ecuador, and southern S. c. opacus from (E) Piura, Peru and (F – G) Zamora-Chinchipe, Ecuador.	2010-12-31	Krabbe, Niels;Cadena, Carlos Daniel		Zenodo	biologists	Krabbe, Niels;Cadena, Carlos Daniel			
03A88788F262E355FF5D33A7FE84D329.taxon	http://purl.org/dc/dcmitype/StillImage	image/png	https://zenodo.org/record/193542/files/figure.png	https://doi.org/10.5281/zenodo.193542	FIGURE 1. Half second sequences of songs of (A) Scytalopus c. canus from Frontino, Antioquia, Colombia, (B) northern S. c. opacus from Azuay, Ecuador, and (C) southern S. c. opacus from Zamora-Chinchipe, Ecuador. Notice the churring, higher pitched and much slower paced notes of S. c. canus. Differences in note quality between northern and southern S. c. opacus are not constant.	FIGURE 1. Half second sequences of songs of (A) Scytalopus c. canus from Frontino, Antioquia, Colombia, (B) northern S. c. opacus from Azuay, Ecuador, and (C) southern S. c. opacus from Zamora-Chinchipe, Ecuador. Notice the churring, higher pitched and much slower paced notes of S. c. canus. Differences in note quality between northern and southern S. c. opacus are not constant.	2010-12-31	Krabbe, Niels;Cadena, Carlos Daniel		Zenodo	biologists	Krabbe, Niels;Cadena, Carlos Daniel			
03A88788F262E355FF5D33A7FE84D329.taxon	http://purl.org/dc/dcmitype/StillImage	image/png	https://zenodo.org/record/193543/files/figure.png	https://doi.org/10.5281/zenodo.193543	FIGURE 2. Complete songs of (A) Scytalopus c. canus from Frontino, Antioquia, Colombia, (B) northern S. c. opacus from Azuay, Ecuador, and (C) southern S. c. opacus from Zamora-Chinchipe, Ecuador. Notice that in S. c. canus the pitch falls rapidly in the beginning of the song. As in the example shown, most songs of northern S. c. opacus have one to three introductory notes. The song length of all three ranges from 4 to 12 s.	FIGURE 2. Complete songs of (A) Scytalopus c. canus from Frontino, Antioquia, Colombia, (B) northern S. c. opacus from Azuay, Ecuador, and (C) southern S. c. opacus from Zamora-Chinchipe, Ecuador. Notice that in S. c. canus the pitch falls rapidly in the beginning of the song. As in the example shown, most songs of northern S. c. opacus have one to three introductory notes. The song length of all three ranges from 4 to 12 s.	2010-12-31	Krabbe, Niels;Cadena, Carlos Daniel		Zenodo	biologists	Krabbe, Niels;Cadena, Carlos Daniel			
03A88788F262E355FF5D33A7FE84D329.taxon	http://purl.org/dc/dcmitype/StillImage	image/png	https://zenodo.org/record/193546/files/figure.png	https://doi.org/10.5281/zenodo.193546	FIGURE 5. Beginning of song of northern S. c. opacus from Azuay, Ecuador, including two introductory notes. In southern S. c. opacus there is usually no introductory note and if present, it is of the same pitch and quality as the following notes.	FIGURE 5. Beginning of song of northern S. c. opacus from Azuay, Ecuador, including two introductory notes. In southern S. c. opacus there is usually no introductory note and if present, it is of the same pitch and quality as the following notes.	2010-12-31	Krabbe, Niels;Cadena, Carlos Daniel		Zenodo	biologists	Krabbe, Niels;Cadena, Carlos Daniel			
